Hippocampus Press, August 2019
Since the early years of the twenty-first century, Matt Cardin has distinguished himself by writing weird fiction with a distinctively cosmic and spiritual focus, publishing two short story collections that have now become rare collector’s items. In this substantial volume, Cardin gathers the totality of his short fiction, including the complete fiction contents of Divinations of the Deep (2002) and Dark Awakenings (2010). Several of the tales have been substantially revised from their original appearances.
Inspired by H. P. Lovecraft, Thomas Ligotti, and other masters of cosmic horror, Cardin’s fiction explores the shadowy side of religious and spiritual experience. His tales draw upon the author’s thorough knowledge of Judeo-Christian and other religious traditions to expose the existential terror we all feel in living in a cosmos that may be actively hostile to our species. In tales long and short (including a new novella co-written with Mark McLaughlin), Cardin rings a succession of changes on those fateful words from the Book of Job: “Let those sorcerers who place a curse on days curse that day, those who are skilled to rouse Leviathan.”
TABLE OF CONTENTS
PART ONE: DIVINATIONS OF THE DEEP
Divining the Darkness
An Abhorrence to All Flesh
Notes of a Mad Copyist
The Basement Theater
If It Had Eyes
Judas of the Infinite
PART TWO: DARK AWAKENINGS
The Stars Shine Without Me
Nightmares, Imported and Domestic (with Mark McLaughlin)
The Devil and One Lump
The God of Foulness
PART THREE: APOCRYPHON
Chimeras & Grotesqueries
The New Pauline Corpus
A Cherished Place at the Center of His Plans (with Mark McLaughlin)
To Rouse Leviathan is one of those rare books that produces in a reader the most important reaction one can have to a work of, let us say, the literature of abomination. This reaction takes the form of a question: “From where could this marvel have come?” Quite aside from revealing an admiration for the author’s adept handling of spectral atrocities in such a work, the reader’s inquiry is more significant as testimony to an astonishment at the raw fact of its emergence.
The origin of this singular astonishment deserves further explication. While excelling in the domain of high imagination and literary achievement (when Matt Cardin sets his sights on conveying an idea or effect incongruous with equanimity, he invariably takes it as far as it can be artistically taken), To Rouse Leviathan contains an added element necessary to the provocation of the foregoing question. Pervaded by the aura of a domain at once monstrous and not of this world, the book is conspicuous as a worthy descendant of a distinguished line of supernatural horror. As such, it is successful in its aim — which is endemic to efforts, capable or not, in the genre of relevance here — to create a breviary of gruesome mysteries, the qualifier “gruesome” in this case being apt only because everything in the visible world warrants an inauspicious characterization of the invisible. It is, in fact, mysteries of this kind that compose the added element, the necessary constituent, that causes the interrogatory outburst, “From where could this marvel have come?” Furthermore, each one of Matt Cardin’s stories carries the message that there is an “elsewhere” that, by its nature, to quote a scholar of this realm, is both appalling and alluring. That the so-called reality we bump into on a daily basis should be seen as pure misconception is a fundamental assumption of Matt Cardin’s vision.
Without question, Cardin is no dilettante in the conception and expression of that which we would not know and yet, if our lives are to partake of mysteries that alone can give them meaning, we crave to know. To offer some satisfaction for this awful and wondrous craving is the gift of this book.
— Thomas Ligotti, author of Teatro Grottesco and Songs of a Dead Dreamer
In 1996, a remarkable omnibus was published by Caroll & Graf: The Nightmare Factory, by horror author Thomas Ligotti. It contained three volumes of Ligotti’s work to date plus an additional volume featuring revelatory, new stories that had never been collected. The book, long out of print, remains a gem of horror fiction that few others can rival.
Now, in the late Summer of 2019, at least one omnibus is worthy to sit on the shelf next to Ligotti’s tome: To Rouse Leviathan, by another remarkable, singular author, Matt Cardin. As with The Nightmare Factory, Cardin’s book presents material both old and new, all of which impresses with the author’s world-class intellect, creativity, and prose craftsmanship. And this is no mere sampling of Cardin’s formidable skills and talent. This is a multi-course feast, a table brimming over with sumptuous, dark masterpieces of theologically infused cosmic horror, psychological terror, and bizarre, intimate character studies and confessions. As with Ligotti’s legendary omnibus, To Rouse Leviathan is a book to experience, to study, to marvel at, and — in those exquisite, uneasy moments in which we keenly feel we are part of Cardin’s terrifying fictional world — to live in.
— Jon Padgett, author of The Secret of Ventriloquism
Matt Cardin is one of the most vital figures in 21st-century Horror. Whether he is penning visionary tales of metaphysical terrors or dissecting the genre to find the underlying philosophical pulse that gives the monster life, his work never fails to astonish me. To Rouse Leviathan is a landmark volume, one that I can turn to again and again with increasing appreciation.
— Richard Gavin, author of Sylvan Dread
In Matt Cardin’s fiction, characters struggle to understand a supernatural that may be opaque to itself. In detailing their efforts, Cardin draws on language and imagery from religious texts, re-purposing and recharging familiar tropes and references. The result is an experience of the darkly numinous. Put these stories on the shelf next to Ligotti, Gavin, and Cisco.
— John Langan, author of The Fisherman